Once you free yourself and the game begins in earnest, battles will tend to drag on, each taking 20-30 minutes with no option to save until it is concluded. Each new map presents more of the mechanics, introducing working with a squad, utilizing your surroundings, placing traps, and so on. You are eased into the mechanics of the game in the early rounds as you fruitlessly navigate Cassia through the labyrinth and observe her descent into madness.
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Once the pace picks up and you're rolling across the world map capturing cities and fortresses one battle at a time, you'll find yourself back at camp in between skirmishes pitted against a moral dilemma of how to treat prisoners, slaves, or informants: cut off their tongues, kill the lot rather than pay to feed them, set them free? Your choices will effect your future, as freed captives can return to the frontline to boost your opponent's numbers in the next battle or choosing the right interrogation technique can unlock information and rewards. While I could mold Cassia, I found myself sticking to the archetypes for the rest of her band of mercenary men.
While much of the skill tree is open to each, deviating from the more linear progressions of these characters just seems like tying one hand behind your back rather than any kind of freedom. You've got your spell casting mage, stout axe-wielding dwarf, and an agile spear fighter than can bound across the map. The other characters, though, not so much. The pace of progression pumps the breaks after these first few battles, but it gives you a jump on crafting the woman into the mad little maniac you want her to be. From the first maps wandering through the labyrinth, you have access to ranged and close quarter weapons, spells, and the whole skill tree to spread a generous amount of experience points around. Cassia feels from the start that she is a character you can mold to whatever playstyle you prefer. Cassia is flanked by three other 'anti-heroes' and while they have personalities and stories of their own, none get fleshed out as completely or are as compelling as Cassia.Īlso none are as open ended in their class progression. Look, the tale of how Cassia of Tanos becomes Cassia Corpia, amasses and army of mercenaries, and marches on the Shark Throne isn't Shakespeare, but it is a lot more than the drivel a lot of studios are pushing out as backstory. There is a darkness to Cassia that is explored and developed well and revealed in a way that allows the player to be sympathetic to her madness without being forced to embrace the evil. What they do present well is the character study of a woman driven to madness and revenge, and I'm buying into that. There is a decent story here, but sometimes it feels you have to pry it out of the creators' steely grip to get at it. Actually you'll learn a lot more of the why from watching the third of Daedalic Entertainment's new characters and features videos than from the opening cinematic or most of the game itself. well, we really don't get a lot of the why.
The main character is Cassia of Tanos, a nobleman's trophy wife thrown into the labyrinth beneath the gladiatorial arena because. Nullum magnum ingenium sine mixtura dementiae fuitīlackguards 2 follows in the footsteps of its predecessor by trying to push the narrative of the anti-hero, and this time, I think it hits the mark.
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